Psychoanalytic Terms: Places and Processes in the Unconscious and Conscious Mind
The originator of modern psychoanalysis is, of course, Sigmund Freud, and his terms of art tend to be used by most later theorists. Students of Freud who made important contributions to the use of psychoanalysis to interpret art and literature include Karl Jung and Jacques Lacan.
Psychoanalytic Agents and States of Mind--
| Ego | Superego | Id |
| Conscious Mind | Censor | Unconscious Mind |
| the "Family Romance" | Conflicts | Libido |
Domain Attributes of Erotic Identity--
| Core Issues/"life themes" (N. Holland and D. Bleich) including Oedipal fixation (Tyson 17) | Anxiety | Fear of Intimacy, Abandonment, or Rejection (Tyson 16) |
Freudian Psychological Processes (Erotic/Thanotic)--
| Repression (of painful events ("trauma") and of forbidden events) | Selective Perception/Memory | Return of the Repressed |
| Denial | Avoidance | Regression |
| Displacement | Projection | Compensation |
| Resistance (esp. to process of Analysis) | Neurosis/Neurotic Repetition | Transference (Analysand to Analyst) |
Freudian "Dream-Work" (mainly Eros) and Literary Creativity (Tyson 18-21)--
| Primary Content | Latent Content | Dream-As-Art |
| Primary Revision | Secondary Revision | Dreamer-As-Artist |
| Displacement | Condensation | Male/Female Imagery |
Freudian Death-Work (Thanatos)--
| Self-Destructive Neurotic Behaviors (individual/collective) | Fear of Abandonment | Fear of Inadequacy | Fear of Intimacy |
Lacanian Psychoanalysis (Jaques Lacan, 1901-81 [Tyson 26-34])--
I. Language as a socio-psychological catastrophe for the pre-verbal Infant Mind
| Imaginary Order (27) | Mirror Stage (27) | Symbolic Order (28) | loss & lack |
| "le petit object a" (28) | the "primary dyad" (27) | the "lost object of desire" (28-9) | words as representations of things in the Imaginary Order |
II. Verbal unconscious in the Symbolic Order as a linguistic system, ruled by "Nom-du-Père" and "desire of the Other," but haunted by the "trauma of the Real"
| "the unconscious is structured like a language" (29) | metaphor / condensation (love=rose) (29-30) | metonymy / displacement (king=crown) (30) |
| desire for the Mother (31) | "name of the Father" (31) | "phallus" as sign of lack and Symbolic Order (31) |
| immersion in the Symbolic Order (31) | "Nom-du-Père" / "Non-du-Père" (31) | "desire is always the desire of the Other" (31) |
| the Other and the origins of our subjectivity (31) | misinterpretations, misunderstandings, errors of perception as irruptions of the Imaginary (32) | the Lacanian / Freudian "slip" |
| the Real (32) | the uninterpretable dimension of existence (32) | the "trauma of the Real" (32) |
Do you want to test your ability to use psychoanalytic critical methods?
Do you find Freudian "intuitionist" assumptions about human psychology too weakly grounded in evidence but you still want to explore the mind's role in making and experiencing literature? Click here for a short introduction to newer experimentally based psychological studies that offer better evidence for their theories about how the mind works with literature.