English 105.14, Spring 2015, Syllabus View
Last updated: 04/19/2015 01:38:49 PM Last semester (Fall 2014) I taught this course on a M-W schedule and had to alter some of the day references to fit. I have attempted to reverse all of the referencs to "Monday and Wednesday" to "Tuesday and Thursday," but you may still encounter some errant "Monday/Wednesday" references. Please just mentally correct them to Tu-Th.
Note on this web site's typographic conventions--article and Internet webpage titles are indicated by quotation marks, like "Orson Welles – Painter" or "English 105.009, Spring 2011, Syllabus View" (see above). Because web pages typically use underscoring to indicate the presence of a hyperlink to another web page or application, this site will attempt to follow that convention as in this link to the home page. Therefore, italic type will be used, as MLA Style requires, to indicate titles of major works, such as books, periodicals, or Web site titles (Mosses from the Old Manse, Sight and Sound, or British Library: English Short Title Catalog). Italics also are used to set off foreign words or phrases in English text (E.g., "As Bogart and Bergman watch from the restaurant's window, the sound truck's speakers blare the message, 'Die deutschen Truppen Stehen vor den Toren von Paris.'"). Learn to pay attention to the distinction between italics and roman type. This difference that rapidly is being forgotten by those who read only on the Internet, where playing around with type fonts has brought readers to back the brink of the anarchic print conventions of the late Seventeenth Century. We used to know the differences among hamlet and Hamlet and Hamlet just by the type in which they were set.
WEEK 1--Paper #1: Product Purchase Recommendation. Review what you learned about academic writing in previous semesters and be prepared to ask questions about anything academic writers do whose purpose you don't understand or think unnecessary.
Tues. 1/27: Hyperlinked pages for today's discussion. At the end of class, I will ask you to write a short description how you write, including your writing experience last year. That will give you a chance to tell me something about yourself, and it will give me a baseline sample of your prose before we begin the class. After class, read the web pages Some Things I Assume about Academic Writing, Goucher's College Writing Proficiency Criteria, "How is Scholarly Intellectual Property Made?, and "Being Capable of Interest.."
Thurs. 1/29 Click here and read the hyperlinked pages for today's discussion. By next week's first class, you have to decide which kind of product you are researching. You also should begin to define the audience and purpose for which your paper's audience will be using the product. By next Tuesday, locate at least some sources of evidence you will use to form your decision about which product to recommend. Bring this evidence (and your questions/problems) to class. "Product Purchase Recommendation" paper (draft due next Friday; final draft due the following Friday--see the syllabus for dates). If you need help developing topics for this assignment, sign up for a conference today or Friday. Just click on this Web link for the schedule, and email me a set of open times when you could meet for 20 minutes. Give me more than one time in case another student asks for your preferred interval. The schedule is serving three classes.
Fri. 1/30 By noon, a GoucherLearn forum posting of a short but carefully composed message that proposes at least two possible products you are interesting in researching for the PPR, specific characteristics of readers who would be most likely to benefit from reading each of them, and specific places where you expect to find reliable expert information to guide your recommendation. Note that some personal familiarity with the products will be essential to your ability to write the recommendation, but recommendations that succeed with any reasonable "best readers" will have to be supported by evidence and reasoning drawn from experts other than you. Look for my reply this weekend and prepare to focus your research.
WEEK 2--Paper #1 Development and First Draft--"Information Literacy 101"
Tues. 2/3: Click here for a guide to today's discussion. Testing possible PPR products and potential types of product users to develop ways to determine what those users would need to know about a given set of similar products in order to believe your recommendation of one of those products as the best among them for those users needs. This will be our first application of the principle that every academic paper, and every well-written non-academic paper, knows its audience very well and understands exactly what they know and do not know about the paper's topic. Then we will start testing expert sources for those product-reader pairs.
Thurs. 2/5: Click here for a guide to today's dicussion. We will continue talking about ways to evaluate Web-based sources for reliability. Then we will discuss handling sources, both how you physically handle them when you take notes as you read, and how you legally appropriate and acknowledge information borrowed from them when converting your notes to prose for your paper. If you have laptop or netbook computers, please bring them to class today!
Fri. 2/6: First draft of the Product Purchase Recommendation is due by 9 AM Friday posted to the GoucherLearn discussion forum as an attached MS-Word file--minimum content: a working title, an introductory paragraph with a clear statement of a focused thesis, a strong indication that the best reader has been identified and her/his needs understood, and an outline of preliminary support and reasoning to persuade your best readers to believe your thesis. Between today and Sunday, I will reply to these by email and by "reply" on the discussion forum as quickly as I can get to them. Click here for the course style sheet. Monday, 2/11, is the deadline day for dropping a full-semester course without a W, advisor's signature required.
WEEK 3--Paper #1: Product Purchase Recommendation Revision / Start of Paper #2, Literary Analysis--The Hawthorne Project and Reading Hawthorne Stories in Contemporary Print Editions
Tues. 2/10 PPR Paper Workshop: for the first half of the class, you will work with another writer to help each other fine-tune the match between your best readers' most important needs and the various products' features. Read the course Style Sheet and its examples of MLA Works Cited format, take the online Plagiarism-by-Paraphrase Risk Quiz, and read the evaluation criteria for the PPR paper. The Product Purchase Recommendation final drafts are due Friday by 9 AM in my email Inbox as an attached MS-Word file. Click here for last-minute tips on how to tell whether or not to include information in the paper. Click here for additional Internet source citation format examples to supplement the Style Sheet.
Click here to READ AHEAD! Thursday's assignment requires some major reading.
Thurs. 2/12: Before class, read Hawthorne's "My Kinsman, Major Monlineux," in Young Goodman Brown and Other Short Stories, 96-111. For quick "Control-F" searches of an accurate digital text, you may access this University of Virginia e-text of the story: "My Kinsman, Major Molineux." Please do not expect it to be as easy to read, either online or if printed out, as the bound print edition. The latter was the format Hawthorne was writing for. Also read the "Dream of the Text and Literary Analysis" and "Textual Analysis Worksheet" web pages. Click here for a guide to today's discussion.
Friday. 2/13: Final Draft of PPR due by 9 AM in my email Inbox as an attached MS-Word file.
WEEK 4--Paper #2: Literary Analysis, Primary Sources, and Getting an "Insight"--The Hawthorne Project and Reading Hawthorne Stories in Contemporary Print Editions
Tues. 2/17: Read Hawthorne's "Rappaccini's Daughter" in Young Goodman Brown and Other Short Stories, 35-59. For quick "Control-F" searches of an accurate digital text, you may access this University of Virginia e-text of the story: "Rappaccini's Daughter." But see the caution about format and readability for "My Kinsman" above. Also read the web pages about ways to detect patterns of evidence that are called "stylistic," and about the "best reader" concept as it applies to a literary analysis paper. Click here for a guide to today's discussion.
Thurs. 2/19: Comparative reading of both stories--what do "My Kinsman, Major Molineux" and "Rappaccini's Daughter" have in common that could lead you to believe they were written by the same author even if you did not see Hawthorne's name on the page?; What differences do you see between the stories that might be signs of Hawthorne's changing style and thought between 1832, when he wrote "My Kinsman" at the age of 28, and 1844, when he wrote "Rappaccini's Daughter" at the age of 44? The link will take you to the "publishing history" page, where you may discover some other potential life changes which might have affected Hawthorne's artistic output. Click here for a guide to today's discussion. We also will form the small collaborative research groups for next week's work at the Library and presentations in Thursday's class meeting. I will try to give you the author you are most interested in, but all five authors are extremely important to American literature and led very interesting lives. The amateur reader might say that they may seem to be "all middle-aged white American guys," but the scholar will discover, upon close examination of the facts, that they differ from one another as much as you and I do from each other. Seeing the similarities and differences among them will help you locate Hawthorne more accurately in his intellectual community and the world his readers inhabited.
Fri., 2/20: Due by 9 AM in a GoucherLearn forum posting: post a coherent piece of prewriting that considers things you found in "MK,MM" and/or in "R'sD" that non-scholarly readers wouldn't notice. Textual analysis attempts to explain how a work of literature works. The same techniques can be used for other complex documents, like laws and political speeches, folk tales, video games and video dramas, etc.. Look for things you found in both Hawthorne stories, or aspects of the stories that differed interestingly. Start to develop hypotheses that state what you begin to suspect you know about Hawthorne's prose style, his methods of tale construction, and his expectations of the reader. When you have a hypothesis based on some evidence from the stories, remember that talented authors usually build stories out of complex layers of repeated words or actions or images. Quickly reread both stories to see whether your hypothesis correctly predicts the existence of additional evidence for support. Consider using the "Grid" or some similar tool to collect your information and to begin to analyze its significance. If literary analysis does not work well for you, remember that you also can analyze the content of one or both stories using disciplinary approaches like Psychology, Political Science, Natural and Social Sciences, etc.
Read Ahead! Library research training is scheduled for next Tuesday to help you find scholarly sources to support your group presentations on Thursday [printed biographies, manuscripts and journals, secondary critical publications. For next Thursday, prepare short (10 minutes) collaborative group biographical reports on Hawthorne, Melville, Emerson, Poe, Thoreau. The sooner you form your groups, the more time you will have to acquire evidence and prepare the presentation. Here are the instructions for completing the projects on the authors we are researching There are many ways to do the projects, but make sure you are using only scholarly sources who publish their work in print or in online-accessed peer-reviewed scholarly journals! Anonymous sources, especially those found on amateur web sites and in popular print like newspapers or magazines, are not be acceptable for this assignment. Click here for a review of some simple ways to tame scholarly printed books to your uses. If you want some advice about organizing your collaborative research group, click here.
WEEK 5--Paper #2: Literary Analysis, Background Sources: Biography, Manuscripts and Journals, Introduction to Secondary Critical Sources During this week, make sure you go to the Writing Center early, for at least 1 hour with a Writing Center tutor to talk about the Hawthorne stories and possible thesis ideas. Bring the stories and your notes to help your tutor understand what you are talking about. That way you will have those materials ready to use as paraphrase or direct quotations when you write your paper.
Tues. 2/24: Meet at the library. Click here for a guide to today's bibliographic research session.
Thurs. 2/26: Collaborative group biographical reports on Hawthorne, Melville, Emerson, Poe, Thoreau. Click here for a guide to group presentations.Friday, 2/27 Rough Draft of the Hawthorne paper due by 9 AM in an MS-Word file attached to a GoucherLearn forum posting. Click here for links to all the Hawthorne paper assistance pages, especially those describing the shape and intentions of typical college-level literary analysis papers. For the full evaluation criteria which will be used for the revised draft, due next week, click here. Minimum content for the rough draft includes a working title and an introduction containing a clear and focused statement of your thesis about the literary work(s) you are writing about, an outline of passages in support of it, at least one body paragraph illustrating the reasoning you will use to explain some of those passages, and at least some scholarly sources (in a properly formatted Works Cited section) which might be useful to a paper on such a topic. Cite page numbers as you find them in the story editions, including the U.Va. digital versions of the Modern Library edition.
WEEK 6--Paper #2: Literary Analysis, Secondary Critical Publications, Final Draft--The Hawthorne Project
Tues. 3/3: Private writing and fiction. Use the photocopied excerpt I provide or go to the Library circulation desk and request Hawthorne's lost notebook, 1835-1841 : facsimile from the Pierpont Morgan Library. This printed book, which is on reserve for this section of English 105, contains photographs and transcriptions of Hawthorne's journal entries in a notebook which dates from the years 1835-6 (i.e., three years after "MK,MM" and nine years before "R'sD"). Read and take notes on pages 1 through 20. (You also can photocopy it and share it with another student, but make sure you bring your copy to class.) We are looking for the creative roots of these stories. Click here for a guide to today's discussion and some advice before you read the notebook excerpts.
Thurs. 3/5: Bring your rough drafts, notes, research and other materials necessary for a peer editing workshop and additional research in scholarly sources. Click here for a guide to our research work, and links to three important pages of information about information quality in scholarly sources.
Fri. 3/6: Paper #2 Final Revision due by 9 AM in my Inbox as an attached MS-Word file. Click here for links to all the Hawthorne paper assistance pages, especially those describing the shape and intentions of typical college-level literary analysis papers. For the full evaluation criteria which will be used for the revised draft that is due today, click here.
WEEK 7--Paper #3: Film Analysis Project--terms and techniques.
Tues. 3/10: Start the Film Analysis Project. Before class, read this glossary of film terms which will be useful in analyzing cinema and be ready to ask me to explain any terms the glossary definitions do not adequately describe. Click here for a guide to today's discussion.
Thurs. 3/12: Film illusion, continued. Click here for two important web page links and a guide to today's discussion.
Fri. 3/13: No written work is due this week. Make plans to see Casablanca before our first class in the week after Spring Break.
3/14/15-3/22/15 Spring Break
WEEK 8--Paper #3: Film Analysis Project--into the illusion. Film script and image database links.
Between Friday 3/13 and Monday 3/23--arrange to watch Michael Curtiz' Casablanca (1942/1943). A copy will be on reserve for this 105 section, and it is widely available online and by used DVD purchase. Before you watch the film, click here for some pre-viewing instructions.Click here for a page illustrating the proper MLA format to use when citing the movie and a list of the DVD's "chapter" titles. Click here for the cast members of Casablanca and parts they played, as well as the shooting crew, director and other personnel. Click here for a time line that traces the writing, production, and release of Casablanca.
Tues. 3/24: Read the complete lyrics of "As Time Goes By," an obviously important thematic element in the soundtrack, click here. Click here for a guide to today's discussion.
Thurs. 3/26: Go to the Library's Circulation Desk and ask for the following reserve readings for the course: Robertson (Casablanca Man 77-80), Harmetz (Round Up the Usual Suspects 227-38). Read their differing views on the script and shooting of the film, especially the problem of the film's ending. Which source's opinion is the best supported and, therefore, the most likely to be correct? A crucial skill for College Writing Proficiency is being able to distinguish the better of two seemingly authoritative sources' interpretations of evidence. Click here for a guide to today's discussion.
Friday. 3/27: a GoucherLearn forum posting in which you describe a pattern of non-obvious evidence in Casablanca which you have detected by "close viewing" and a paragraph speculating on its significance. Click here for a guide to discovering and posting evidence.
WEEK 9--Paper #3: Film Analysis Project--Illusion answers illusion--how one era's films reflect and reject the values of previous eras films. [During this week, make sure you go to the Writing Center early, for at least 1 hour with a Writing Center tutor to talk about the two movies and possible thesis ideas. Bring photocopies of relevant images or passages of dialogue to help your tutor understand what you are talking about. That way you will have those materials ready to use as illustrations or direct quotations when you write your paper.]
Friday 3/27-Monday 3/30-arrange to watchCarol Reed's The Third Man. Click here for a guide to viewing the film. Click here for an online copy of The Third Man script. Note how much more detailed the shot instructions are than those in the Casablanca script! That's a sign of Reed's and Green's greater individual control over what you see in the film. All the same, you will detect significant additions to the film, visually and in spoken dialog, that were improvised during shooting. Never trust the script without verifying what is in the movie, itself. This script contains lines which were improvised during shooting. To see the pre-production script, see the Sight and Sound screenplay where improvised lines are in square brackets (791.437 T445g.1). Click here for the cast members and the names of the parts they played. Click here for a page illustrating the proper MLA format to use when citing the movie and a list of the DVD's "chapter" titles. (If you have an extra 103 minutes after viewing The Third Man, try re-watching Casablanca with your evidence pattern in mind, and notice how viewing with a thesis changes what you see and remember. You may even see points of connection or contrast between the two movies. Either way, voila, a potential thesis is born.)
Tues. 3/31: Click here for a guide to today's discussion.
For Thursday, as described in this hyperlink, form groups of two or three and do collaborative research based on readings in the Course Reserve (Group 1: Graham Greene's film script and the "novelization" of the film (at least pages 136-48), on reserve for English 105.15); Group 2: Walker (from Cameron, ed., The Book of Film Noir, soon to be on reserve for English 105.015 [look for a Home Page announcement when it's returned and put on reserve), pages 8-16 (and pages 25-32 are highly recommended re: film noir visual style in the Course Reserve copy if you are interested in this approach).
Thurs. 4/2: Collaborative research reports. Click here for a guide to today's discussion after the reports have been given.
Fri. 4/3: a GoucherLearn forum posting in which you describe a pattern of non-obvious evidence in The Third Man which you have detected by "close viewing" and a paragraph speculating on its significance. Click here for a guide to discovering and posting this evidence.
WEEK 10--Paper #3: Film Analysis Project--Paper Development During this week, make sure you go to the Writing Center early, for at least 1 hour with a Writing Center tutor to develop your thesis and organize your support.
Tues. 4/7: Read this worksheet for our in-class rough draft workshop for the film paper, and this web page about finding sources for difficult topics. Click here for a guide to today's rough draft workshop.
Prepare to do some research in secondary scholarly sources by reading ahead for Thursday. Click here for a list of cast members and the names of the fictional characters they played.
4/9: Read this web page about psychological and moral approaches to analyzing The Third Man, and bring to class enough printed copies for the entire class (and one for me) of an annotated bibliography entry (one/1) using correctly cited summary/paraphrase or direct quotation from a book or article relevant to our study of Michael Curtiz' Casablanca, Carol Reed's The Third Man, politics and film making, film noir, etc. Explain the usefulness of the source with a brief comment (one paragraph, probably). Also post your bibliographic note to GoucherLearn when you have completed it. Click here for a guide to today's discussion with links to a sample source annotation.
Fri. 4/10: Film Paper Rough Drafts due by 9 AM in a GoucherLearn forum posting as an attached MS-Word file. Click here for advice about how to "hold your ground" to preserve the paper's independent authority while using primary and secondary source evidence. Last day to withdraw from a semester course with a “W” – adviser’s signature required. Last day to elect pass/no pass, or change pass/no pass to a regular grade, in a semester course. Adviser’s signature required.
WEEK 11--Paper #4: Independent Research Project (click on this link to see the overview of the project's stages and links to guidance for how to complete them)
Tues. 4/14: Click here and read all the attached web pages for today's discussion.Strength of claims in academic prose
Thurs. 4/16: Click here for class readings and a guide to today's discussion. By 8 AM tomorrow, post to the GoucherLearn Discussion Forum a proposal for the discipline, topic, and issue(s) you believe you want to research, together with some possible sources you may use. You are not yet committed to this line of research, but it is your hypothesis about what you can and want to do. We will work together in conference Friday to refine your proposal. Remember that these issues need to be the subject of current research by scholars, which means there will be debates about what the facts are, or at least how the facts should be interpreted. That's how you know new knowledge is being created. It's hot.
Fri. 4/17 8:00 AM--GoucherLearn possible topic postings due; 9-5 PM Independent Research Topic Conferences. [Note that the Film Analysis final draft is not due until Saturday by noon--please take advantage of the time to focus your argument, organize it effectively, and explain it coherently. Read the paper aloud to yourself before you consider it done. Read the paper to a skeptical friend before you turn it in. Your ear will catch mistakes your eye cannot see.]
Sat. 4/18, by noon: a final draft of Film Analysis Project is due in my email Inbox as an attached MS-Word file. I will begin responding to these by email as soon as I have enough of them to work with. Please keep an eye on your inbox this weekend so that you can keep up the momentum of your research project.
WEEK 12--Paper #4: Independent Research Project
Tues. 4/21: Bring your laptops and sources to class for a research workshop--After we discuss the importance of "binary oppositions" in human thought and their potential exclusion of important evidence "in the middle" between the binary pair, we will search for more, better sources using the sources you already have found. Do this even if you think you already have "enough" sources for the IRP. First, it will exercise your research skills. Second, you might find sources which are better, i.e., of higher quality and/or relevance, than those you previously thought were "enough."
Thurs. 4/23: Bring your laptops and sources to class for a second-round research workshop. Click here for two ways to make a resistant set of sources show you the patterns they contain so that you can arrive at an independent thesis. Click here for a thought experiment about "interdisciplinary," ways you can use research in another discipline to develop new insights about your primary discipline.
Fri. 4/24: Rough draft of Independent Research Project due by 9:00 AM as an MS-Word file attached to a GoucherLearn forum posting. Minimum content: a functional title, an introduction describing the specific part of the discipline or field you are studying and naming at least two persons whose ideas will contribute to your thesis, along with some reasoning about what you can do with their work, and bibliographic documentation of the sources appropriate to the discipline in which you are working. (When in doubt, follow the style of the articles published in scholarly journals for your field.)Click here for the evaluation criteria I will use when reading the Independent Research Project reports.
WEEK 13--Paper #4: Independent Research Project
Tues. 4/28: Email me your presentation title and an abstract of 100 to 250 words that describe your project, its main sources of evidence, and your preliminary conclusions. Click here to see the titles of last semester's conference papers. The titles are linked to their abstracts and lists of their sources. Also, fill out and send to me the IRP Conference Participant Information Form, which will insure that the classroom equipment is properly set up for your presentation.
Tues. 4/28-Thurs. 4/30: English 105 Independent Research Project Conference. Click here for a guide to presenting preliminary research and to being the audience for such presentations. Click here for the schedule of presentations.
Fri. 4/31: Paper #4 Final Revisions are due by 5:00 PM as a MS-Word file attached to an email to me. Indicate clearly in your email's message if you believe you likely will use this paper in your final portfolio! That will determine the order in which I read the papers. Later delivery can be negotiated if you aren't planning to revise this again for the final portfolio.Click here for the evaluation criteria I will use when reading the Independent Research Project reports.
Week 14--Final Portfolio Paper Selection and Editing
Tues. 5/5: Choosing the best paper to revise (from papers 2, 3, or 4) for the final portfolio. Discussion of final portfolio questions, CWP issues to pay attention to. If you have forgotten the College Writing Proficiency Criteria, click here. Read this web page defining "substantive revision" for the final portfolio revisions. Information Literacy review--looking toward next semester, and the rest of your career as a consumer and producer of expert knowledge.
Thurs. 5/7: Last class. Final portfolio peer editing conferences. Bring one paper from among papers 2, 3 or 4, and be prepared to work with someone from the class to help add value to the paper's revision. We will specifically consider ways that interdisciplinary thinking and scholarly sources can improve an already good paper in an exercise we might call "The Return of the Hand." Please fill out the online course evaluations. Thanks. If you have time, take a look at Jordan W. Smoller's "Etiology and Treatment of Childhood." and think about how its rhetoric and format simulate "scholarly writing for the sciences." Alas, future generations probably will not detect the article's pointed reference to "scholarly articles" written by cartoon characters, The Three Stooges, Mister Rogers, and other cultural artifacts of the late 1900s. Freud, Durkheim, and the rest are the real thing and their theories are creatively misapplied. This parody works because Smoller is a professional educational psychologist who knows the rules of his discipline well enough to adapt them even to absurd data.
Mon. 5/11: Final Portfolio Revisions due at Noon, by email to my Goucher account. Previous drafts should be dropped off in my Van Meter mailbox or under the door at VM 141. The Final Portfolio should contain all your drafts for the paper you have chosen for revision, including the final drafts with my comments, and workshop sheets containing your readers' responses to the paper. Remember that, if your readers have given you valuable advice, you can give your readers extra credit if you construct an endnote explaining specifically what they did to help you improve your paper. If you give a colleague credit for demonstrable help that improved your paper and you give your colleague specific credit for this help in an endnote, I will raise your colleague's grade. If you give colleagues similar help that wins endnote acknowledgement, I will raise your grade. Write your own papers, of course, but collaborate to make each other's work excellent!